Stamping their identity all over this compilation album are the female singers of 50s and early 60s generations trying to make a name for themselves in a largely male dominated industry. What the listener will experience with ‘Cat Scratchin’ is a variety of songs, with a variety of styles that show flashes of sophistication and songs borne out of more primitive foundations. There’s plenty of attitude as well as honesty, not to mention a mental toughness as well as vulnerability that serves up a perfect balance of emotions. Most tracks give the suggestion of late 50s and early 60s periods in history with the rhythm and blues ranging from late-night torchbearers such as the excellent ‘Please Give Me A Match’ performed by Rebecca Williams, to the tub-thumping, boisterous racket that is ‘Holy Mack’reel’ from equally animated vocals of Prentice Moreland. More interestingly, a few of the songs selected by the female performers either perform still from a male perspective, such as the previously mentioned ‘Holy Mack’reel’, or elsewhere show signs of subtle changes via Geneva Vallier and her interpretation of Ray Charles’ I Got A Woman’ with ‘You Said You Had A Woman’. There’s plenty to take in with ‘Cat Scratchin’ from the near-ramshackle rhythm of ‘How Can I Lose’ (Shirley Ann Lee), to something far more ambitious sounding via the album’s title track by Marie Williams. A solid and worthwhile collection of songs that show the female artists certainly matched their male counterparts when it came to engage an audience (look no further than Peppy Prince and ‘Ain’t Nothing Shaking’ for immediate evidence of this) by revealing a variety of emotions that make up ‘Cat Scratchin’.