With a plethora of bands associated with Grand Blue Heron ranging from The Jesus Lizard, Ride, The Chameleons, Sonic Youth, Nirvana, Motorpsycho, My Bloody Valentine and so on, it’s safe to say that, despite a range of influences being associated with this four-piece band from Belgian, there’s no other band currently doing the rounds who sounds exactly like them either, and therefore Grand Blue Heron sound like, well, Grand Blue Heron. So forget what has gone before and heed the words accredited to the band’s press release where it explains, “Known now for having a very particular, yet recognizable sound of their own…” Such words ring true once ‘WWYDS?’ opens this second account for Grand Blue Heron where the sound is cold and desolate yet trying its hardest to generate warmth via its lead guitar. From such distant openings, the double sonic crunch of ‘Come Again’ and ‘Head’ unfurl in a distorted tangle of guitars, with ‘Come Again’ eventually ironing out its creases due to its rhythm becoming shorter and sharper in terms of its bite, as does ‘Head’ yet it cannot shake the dirt from its exterior. It’s a compelling start that only continues to enthral and that is down to Grand Blue Heron never remaining stagnant in one particular sound. Such examples can be heard via the more cohesive and melodic ‘Iron Milk’, to the atmospheric ‘The Killing Joke’, before sailing through the excellent and, if pushed, heroic direction of the guitars during ‘The Cult’, which is expansive and experimental but never strays from the parameters set. Grand Blue Heron has erased any notion of “difficult second album syndrome” by retaining several of their debut album’s finer moments and taking these to the next level by some considerable creative distance via ‘Come Again’.