Originally from Holland but now residing in Poland after a lengthy stint performing in various bands in Belgium, Heyme (Langbroek) releases his first solo album on Jezus Factory Records. With this record being a genuine solo affair where all instruments on all the songs are played by Heyme, and a recording space that consisted of his attic at home with recording sessions pencilled in for every Sunday, the ten songs crafted on this debut solo album are largely built out of improvisation. With Heyme admitting that improvisation largely took place during these recordings, “I just started playing and recording and improvised on top of that, weaving rhythm and melodies into tapestries of sound.” Such words are true once ‘A Day In Life’ unfurls its sounds where you will hear brass instrumentation punctuating at various stations and aiding the direction of this moody opener. It’s a compelling start and continues in similar fashion with ‘Paranoid’ offering vocals to paint a broader picture, before slipping back into a pure instrumental via ‘Hard Times’. The method of work adopted here harks back to Heyme’s days of recording with Kiss My Jazz, and later IH8 Camera, where improvising on the spot was integral to both bands in terms of how they operated. It’s no surprise, therefore, that Heyme has continued with such a formula that functions for him as well as creating such beautiful tender moments as ‘All Time Favourite’, to the stretched out melancholy of ‘Where She Goes (she goes)’ that will linger long in the memory long after this album spins to its conclusion. It’s a formula that has served Heyme well, and continues to do so with the near continual loop of instrumentation and improvised workings added on top that suggest feelings of loneliness and sadness whether informed lyrically or via the instruments that capture your senses from start to finish, thus making ‘Noise From The Attic’ a truly remarkable album considering its humble foundations.