Latest addition to the recording stable of West Yorkshire’s Monster Jaw is ‘The Basement Sessions EP’. Having written, recorded and produced all four of the tracks making up this EP, the trio of Mik Davis, Neil Short and John Bradford secluded themselves for a two month period in a rented basement in order to complete this latest project. Calling on the experience of Justin Sullivan, from legendary post-punk outfit New Model Army, to help out with mixing and mastering, ‘The Basement Sessions EP’ sees Monster Jaw taking another step forward in their musical progression. Such progress can be seen from the unique stance of the entire recording process, which saw the band make use of a Tascam 688 chrome tape home recording studio in an attempt to capture something close to a live experience. With this plan dubbed “a very brave idea” from those working in the music industry, according to the accompanying press release for this latest EP, Monster Jaw remained unperturbed in their quest to record a series of unedited tracks set straight to tape with no additional overdubs. The overall atmosphere surrounding all four songs presented here is often dense and claustrophobic. Such an example of this can be identified from second track, ‘Love’, where oxygen appears short in supply due to the air having the consistency of treacle and causing heads to swim uncontrollably. Monster Jaw pull off such a feat by means of a prominent bass that is incredibly raw and drives the song, but also by giving the impression of looping the vocals with its repetitive lines regarding the subject of love to the point where one can almost visualise the room spinning, it’s that potent a brew! With ‘Feel It’ showing its affection for New Model Army as far as the guitars are concerned, and with its vocals retaining a very compressed feel, it would seem that Monster Jaw bonded as one with their chosen recording environment. The closing song, ‘Never Change’ cleverly borrows elements from a previous song, ‘Losing All My Friends’, but manages to transform it into a composition that has more in common with the current EP release, despite sounding slightly euphoric in its chorus. With so much to offer, hopefully the next release from Monster Jaw will extend to a full album because the affection for this band just got considerably bigger after experiencing ‘The Basement Sessions EP’.