The wait for an echo has been a lengthy one until now that is, as Grahame Skinner finally makes his long anticipated comeback under new moniker, The Skinner Group. The title of the new album is one that is definitely open for interpretation, having interviewed Grahame Skinner for these very pages, suggesting a mixture of relief at the realisation of new material finally seeing light of day but coupled with anxiety at the thought of the unknown in terms of its perception. Fear not as ‘Back On The Horse’ is a sheer delight from beginning to end with creativity in abundance and enough memorable hooks to warrant a high level of repeat visits. Previous single ‘Surfer Gurl’ revives old memories of Skinner’s former indie outfit Cowboy Mouth, as the song resembles a piece of driftwood from an aborted third album, only given a new lease of life here, with Skinner crooning in fine fashion and pining about the one who got away to a grungy backbeat provided by longstanding stalwarts Douglas MacIntyre and Mick Slaven. ‘Oh Dear ‘ is breezy in comparison, and closer to another former band that hit the heights during the 80s, and would be the ideal candidate for second single such is its infectious rhythm and clever touch with its knowing self-pitying lyrics. The ghost of Hipsway is even more evident during the immediacy of ‘Down On My Knees’ with its 80s style chorus complete with backing singers really giving the game away. In the midst of such familiarities exists new explorations with ‘Something Cinematic’ a prime candidate due to being something of an oddity with its pondering beat, poetic vocal and topped off compellingly by Mick Slaven’s guitar, which is left to its own devices as it scores a red-hot trail right through its centre in a stinging and bad tempered moment of improvised greatness. Elsewhere, ‘Who’s That Man’ could be a personal ode as it reflects on being out of touch with current trends via a warped take – wonderfully executed – on The Beach Boys surf pop before falling headlong into the abyss that is ‘Hole In My Soul’, but not before paying reference to Aidan Moffat on the way down during the song’s fadeout. If this is the sound of Grahame Skinner in the modern state of things, then the decision to get back on the horse was an inspired and extremely wise one.