Encased in complete blackness and close to resembling the Jet Black Machine Vince Taylor roared about so convincingly which, in hindsight, was more likely a reference to his mind set and the downward spiral his life was taking, latest release from Australia’s Infinity Broke follows quickly on the heels of debut album ‘River Mirrors’. The rapidness at which this second effort was assembled is due to the fact that the majority of songs were conceived during the same time period as its aforementioned predecessor, with lead singer Jamie Hutchings in charge of production and Chris Colquhoun responsible for engineering once again. Despite the close association of the two sets of recordings, the difference in terms of the two albums is clearly noticeable. With its blackened and almost indistinguishable exterior not giving much away, it’s left to the nine listed songs to provide some insight. Gone is the looseness and sonic explorations as ‘Before Before’ is a more concise beast, with an overall shorter running time and songs kept on a tighter leash. Recent single ‘Only The Desert Grows’ is a perfect example of this with its rolling, tumbling rhythm and a strong indication that Infinity Broke know how to write a more direct composition that is probably the closet they will get to acceptance on the airwaves. ‘Cinder Borne’ is among the highlights; its blackened emotions smudged and giving off signals relating to a number of compulsions while a machinelike rhythm pounds away. The wrecked emotions lights its trail to the noise passage ‘Domestik’, which gives the impression of stumbling through a dream and reiterating once more a fondness for previous work ‘Double Yellow Tarred’. In addition, the blurring of lines does its best when trying to identify song titles as the almost illegible ‘Dogfall’ is weighed down with a heaviness best illustrated by the muscular guitar which pretty much retains control throughout. ‘Ladybug’ flitters through a series of memories and provides a lighter moment via its acoustic guitar, but is far from sounding straightforward. Rather than sounding like the leftovers of previous album ‘River Mirrors’, considering the back-to-back recordings of both album sessions, ‘Before Before’ stands up in its own right and without question leaves its previous album in its wake.