Just when you think you have heard it all before, up pops an absolute belter of an EP with much depth and creativity to suggest there is considerable mileage left in the tank when it comes to a vastly populated scene that is post-hardcore (add your own definition here). The band responsible for this vehement and at times diverse collection of songs is Bastions, who bring the curtain down on their Bedfellows concept with second instalment ‘The Forgotten Daughter’. Whether it’s the restrained qualities of the brooding ‘Empty Vessel’ with its forlorn subject matter that is instantly mopped up by the raw and breakneck intensity of ‘Foreign Bodies’ to the chaotic shrill of ‘The Water Tower’, Bastions appear to be offering (appropriately) their final thoughts on a deeply sensitive area before confining it to history. The final statement, however, is left to the threadbare opening of ‘Murmuring’ with its admission “I’ve got it so good, I’m lying to myself” that runs a little too close for comfort due to having more than a ring of truth about it. On the strengths of this EP, the next recorded output from Bastions is going to be a tantalising prospect indeed.