The identity of Norway’s (Frank) Benjamin Finger remains an enigma and one that is on a par with the UK’s modern street artist Banksy. Such a mysterious identity is fitting of the music this Norwegian is peddling, as it is more about electronic atmospheric soundscapes than anything singer-songwriter by way of an acoustic guitar and unkempt facial hair (although…see above regarding the latter). What the listener gets, therefore, with Benjamin Finger’s latest album release ‘The Bet’ is a collage of sounds pertaining to various moods, such as the aptly named ‘Faintheartedness’ with its fleeting rhythm providing the woozy emotions by means of stammering vocalizations and simple piano that eventually ends up chopped and sliced and left flickering in a succession of electronic bleeps and whirrs. Imagine if you will the characteristic tender openings of guitar strings being picked of an Explosions in the Sky composition and you are somewhere close to the shimmering and waiflike ‘Rosencrans Exit’. One can extract that ‘The Bet’ is concerned with humanities inabilities to safeguard world resources, given that the majority of songs presented here possess dreamlike qualities and therefore suggesting only one likely outcome if the downward spiral persists. ‘Bad-Luck Planet’, in particular, serves as one such precursor by sounding as if it has exited one world only to find itself wedged in a completely vacuous space as illustrated by the repetitive hum of electronica. Just as ‘Nasal Breakdown’ sounds equally grounded in its tracks, the space entered is far more pleasurable considering the beautiful ethereal vocals that surround it. ‘The Bet’ is a patchwork of ideas and emotions stitched together and striving to make sense of the world by means of various electronica and occasional guidance from elements of classical music that provides no further clues to the enigma that is Benjamin Finger only that he remains in a class of his own.