There’s a predominantly western swing flavour to the icing coating the Austrian mountain ranges by way of ‘You’re My Sugar’. The band at the centre of this swinging sound is Fia Sco & The Majestics who seem to have exchanged their Austrian roots for something a bit more American. Such a suggestion becomes even clearer when hearing the added musical ingredients consisting of hillbilly and country, with a definite rockin’ attitude thrown in for good measure. The spark which ignites this album into life, however, is the rolling tongue of Fia Sco’s vocal delivery, which then proceeds to dominate opening ditty ‘Ice Water’ and continues in similar style throughout the rest of this album. There’s no doubting Sco’s presence here as she comes across as a charismatic front figure by breathing life into the songs, with her vocal providing a throwback to another era. All of this talent would not be possible without experienced hands, which comes by way of The Majestics with titles to rival their magnetic songstress and therefore deserving of a mention, so step forth Colonel Rib Kirby (lead/rhythm guitar), Don De Vil (double bass), Big Honzo (steel guitar) and Ray Hammer (drums). With such a force in place, Fia Sco & The Majestics simply can’t fail which is evident from the tight rhythm and quick vocal delivery of ‘Dynamite’ and choo-choo boogie of ‘She’s Gone, Gone, Gone’. With ‘You’re My Sugar’ being a covers fest, pick of the bunch has to be the Howard Stamford and Danny Mitchum composed ‘Hey, Mr. Cotton Picker’ and (at last!) clever spin on Jerry Reed’s excellent ‘Mr Whizz’ to a feminist friendly renamed, ‘Misses Whiz’. Once the locals of their native Austria catch wind of these western flavoured numbers, the icecaps are likely to melt such is the heat stemming from ‘You’re My Sugar’ and, more notably, the talent at the heart of this record.