There is no introduction required when it comes to the wild and wonderful talent that is Jerry Lee Lewis. Spread out over three CDs, and including fifty-seven tracks in total, is a variety of Jerry Lee Lewis’ hit singles from ‘High School Confidential’ to ‘Whole Lotta Shakin’Goin On’ and ‘Great Balls of Fire’. With a lot of the SUN Records era covered and therefore space for including the excellent and more bluesy feel of ‘Hello, Hello Baby’ and ‘The Ballad of Billy Joe’ showing the influences running through this man’s piano fingers, the Big 3 record label offers value for money and quality with this release. The only downside to this compilation album, and the entire series, is the lack of any information regarding the artist or tracks included, which is a shame considering the rest of the quality on offer here. However, for an introduction to the musical abilities of Jerry Lee Lewis, especially in that prime SUN Records era, then ‘Jerry Lee Lewis: The Absolutely Essential Collection’ is a fine introduction that should open the doorway to further investigation of this mercurial and wonderful talent.

Compiled over five CDs is the latest collection of tracks taken from the stable at Rhythm Bomb Records. Arranged into categories consisting of Perfect for Parties; Boppers; Strollers; Jivers and Slow Down there’s definitely something here to suit fans of the genres of rockabilly and rhythm and blues. With this set following on from previous box set ‘We Got Rhythm’, there’s an incredible 125 tracks to consume and too much for one sitting! Representing more up-to-date releases with artists ranging from Aussies Hank’s Jalopy Demons (‘Damn Their Hides’); AJ & the Rockin’ Trio (‘She Do The Bop’); Twisted Rod (‘Booze Bop’) and The Starjays (‘Who Do You Love The Most’) to name but a select few, it’s pleasing to see bands and hear tracks chosen from the vaults at Rhythm Bomb with Gone Hepsville, Pete Hutton & the Beyonders, Chris Almoada, The Backseat Boogie, Mississippi Queen and Pep Torres. Limited to only 300 copies, and with far too much detail to reveal all here, ‘Get Up and Dance!’ is an essential purchase and another introduction to the array of bands releasing the goods at Rhythm Bomb. Now get going!

Fourth solo album for Australian Kieron McDonald who normally can be found fronting the Flatfoot Shakers. Latest album ‘Shake That Thing’ is pretty much business as usual with Kieron recreating a genuine rockabilly sound with leading contenders for such a description via the snappy twang of opening song ‘Rockabilly High’; the lonesome ‘The Knock On My Door’ which is instantly kicked into touch by the positive upturn in fortunes of ‘Goodbye Lonesome’, before pleading once more for ‘A Little Love’ in his life backed by a rockin’ rhythm. Such knowhow when creating a long player full of original material is largely down to Kieron McDonald’s longstanding when it comes to the rockin’ scene, only this time there is additional support and creative input from fellow Aussies Hank’s Jalopy Demons and Ezra Lee. It would appear that the additional input of these musicians has added to the slightly darker edges and wilder elements that have a habit of appearing at various stages (‘The Devil’s Eyes’, ‘I’m The King of The Road’ and ‘Why’) not to mention the piano trickery of Ezra Lee capturing an old-timey feel during the excellent ‘She Means Nothing To Me’. With such good company in the rear, Kieron McDonald doesn’t forget to shine as this is after all his stage and where you can hear his influence all over the reflective ‘She Thinks of You’ and relentless beat of ‘Go Go Girl’ for example. A full pot of original material and one that requires your undivided attention because ‘Shake That Thing’ is just that record to keep the rockabilly flame truly burning.

Having avoided the prospect of a truly gruesome demise via the walking dead in the heart of the West Country (see accompanying video to earlier single ‘Zombie Walk’), The Kings of Outer Space made their escape in order to add the finishing touches to their third long player. While it may seem business as usual considering the title of the band’s new album ‘Space Invaders’ – the obsession with UFOs and space travel continues  – this is a fresh start of sorts for The Kings of Outer Space as the band hail a new line-up, with frontman Giggsy being the sole survivor, as well as switching to a new home with Greystone Records. Despite the changes, The Kings of Outer Space remain difficult to pin down in terms of their overall sound, which is always a positive due to embracing elements from a variety of genres – predominately rockabilly and psychobilly yet with strong ties to post punk and to a certain degree mid-80s indie obscurities. It makes for a flavoursome musical fest without ever sounding muddled, but where latest album ‘Space Invaders’ differs from their previous albums is that you can hear a considerable amount of space between the ideas in the songs where ideas sound less hurried and the songs benefit due to being given more time to breathe. Despite these noticeable differences the band retain their identity as there is no seismic shift in style(s) as ‘Space Invaders’ still sounds like a Kings of Outer Space album with rockabilly running ragged through ‘Cosmic Boy’, to the almost western film score parking up during ‘Remainder Men’ that lingers long in the memory afterwards with lines such as, “When the sun goes down for the very last time, You’ll never see me again”. Bookending the other side of this is the garage rock of ‘Lucky escape’ that reveals an upturn in fortunes for the character at the centre of this song. It’s not all positive, however, as the title track attempts a similar sounding feat but, in the process, sounds tepid in comparison and tired as far as the fresh ideas go. Thankfully ‘Crocodiles’ snaps its heels and wakes up the creative department once more by way of the ska-driven beat and creative use of the title serving as a metaphor for the bitter side of life. ‘Ciao!’ reverts to film score territory once more only this time involving a duet with Giggsy and Lula D, and it’s a song that never pulls any punches when pointing the finger of blame for this particular relationship demise. Despite various similarities in sound, The Kings of Outer Space has delivered quite possibly their strongest musical statement yet, which benefits due to less haste but also by incorporating new ideas where the lyrics in particular take five minutes to live with humanity rather than partying with little green men from dusk till dawn. ‘Space Invaders’ could just be the ticket to launch a whole new series of missions for The Kings of Outer Space where non-intergalactic travel is just as essential as the missions to outer space.

Coming from a far sunnier climate and with a rockin’ beat to match the scorching temperatures of their native Portugal is A. J. & the Rockin’ Trio and their debut album ‘Howlin’ At The Moon’. A passionate and raw rockabilly sound that reveals itself from the start with the trio of songs ‘Waiting For You’, Hot Rockin’ Mama’ and ‘She Do The Bop’. However, there is more to this four-piece band than simply creating a wild racket as indicated by the excellent ‘Lonesome Sinner Blues’ with its welcome interruptions of brass instrumentation, to the sultry rhythm of ‘Hey Senorita’, and appropriate Western (film) flavour of ‘Gunfight At O.K. Corral’. The rockabilly maintains its pace however, and reveals A.J. & the Rockin’ Trio as true experts in their field with such infectious delights as the boppin’ ‘Baby Baby’ and detailed textures of ‘Miss Bobbie Sox’. With a dry sense of humour closing this set via ‘Even The Blues Don’t Wanna Get Along With Me’, this album is highly recommended if you enjoy your rockabilly on the wild side but also one that has the nous to change direction every so often to add variety in terms of its output.

Surfing the waves for another outing is the Surfin Gorillas and their current album ‘Aloha’. What the listener gets is a track list of largely rip-roaring surfin’ instrumentals consisting of original compositions and covers. The difference here is that ‘Aloha’ introduces vocals on a few of the tracks, and in the process reveals another dimension to the band. Kicking things off is the excellent Dick Dale inspired ‘Riptide Surfer’, with the Surfin’ Gorillas very own guitarist Andy Wren being responsible for this particular track. From there on, the tracks range from the well-known ‘Move It Baby’, to the energised version of Curtis Knight & the Squires (featuring Jimi Hendrix) ‘Hornet’s Nest’. The song writing skills of Andy Wren pop up again for the lively and infectious ‘Beach Party’, before more original compositions crop up via drummer Gary Griffin with the speedy rhythm of ‘Surfin’ Crazy’ and title track, ‘Aloha’, that is particularly memorable for some fine sax via Clive Osborne. Totalling fifteen tracks, there is plenty of old school surfin’ sounds to take in and enjoy because there is far more on the up here than on the down.