The theme of this compilation album of known and lesser known rhythm and blues performers appears to focus on the notion of the blues making itself known whether you’re in relationship or without a relationship. Those suffering from such symptoms can comfort themselves a little once it is known that the blues expressed here started a long, long time ago, in fact, from the beginning of time according to the scribblings of Little Victor“…the eternal LOVE-HATE relationship between men and women that started with Adam and Eve at the Garden of Eden…” But rest assured dear listeners as the songs contained within are full of upbeat rhythms and built for those who like to shake their limbs across the (fifties) dancefloors. ‘Don’t Mess With Me Baby’ is packed with a lively set of songs that opens confidently via the instructions of Bull Moose Jackson and ‘Watch My Signals’, to wild and often sax-driven tracks as ‘She Walked In’ (Morris Pejoe) and Rufus Brown with ‘Keep A Knockin’. With full accompaniment of instruments supporting many of the contents of ‘Don’t Mess With Me, Baby’, the songs listed have certainly moved on from their earlier and more primitive foundations. This is largely noticeable from the fuller sounds as mentioned, but also for the charismatic turns in vocal performances that range in styles where confidence is on full display despite lyrics of despair (i.e. King Perry with ‘Come Back Baby’) to other moments that reveal vocal turns that contain shades of light and dark and superbly demonstrated by Larry Ellison & The Mark IV (‘Young Girls’). So, if you’re suffering from a bout of the blues, then ‘Don’t Mess With Me, Baby’ is the perfect place to find a remedy.