Miranda Lambert is back with the brand new album ‘Platinum’ that offers a blend of traditional country with elements of rock music. By combining these two genres is a means of trying to appeal to a broader audience and not just hardened country fans, but while some other artists’ efforts may sound forced, Miranda Lambert makes it all sound effortless as there is a seamless flow of consistency throughout her latest long player. Starting with the solid country rock of ‘Girls’ that immediately provides an example of the sheer power at the centre of her vocal chords despite not really manoeuvring out of second gear. The title track is almost portrayed in a country rap style, if ever such a thing existed, but thankfully it doesn’t fully resort to such measures as the song refers to the pressures that come with fame and success and, more tellingly, the reactions from others. There is room for collaboration as well as Miranda Lambert joins forces with Little Big Town and pulls off a delicate and spacious number that is full of nostalgia for simpler times. What begins as a lone instrument, coupled with Miranda Lambert’s vocal, gradually builds its momentum and in the process peels away a succession of insightful lyrics of a personal nature during ‘Bathroom Sink’, which paves the way for the humorous and rather clever ‘Old Shit’ (Yes, that is correct) that displays its passion for collectibles as illustrated by the background noise of vinyl static. If there is a standout track, however, then that honour falls to the marvellous rendition of western swing of ‘All That’s Left’ featuring The Time Jumpers which, in all honesty, would suit a full album’s worth if ever Miranda Lambert warms to such an idea.