Having been a part of the rockin’ scene recording and performing live since the late 70s and therefore one of the ‘…first generation of European artists to embrace rockabilly’, Chris Almoada is poised with his latest project, ‘On The Great River Road’. This current album has not been a short ride as the initial ideas began as far back as 2010, and finally concluding at some point in 2013. Having composed all of the melodies himself, but with additional help in terms of the lyrics coming from Las Vegas-based David E. Miller, Chris Almoada relays a collection of tales stemming the length of this Great River Road with a backing that is largely rockabilly. There is a great old-time quality about this whole package from the artwork and most definitely from a number of the contents inside. Right from the off the album’s title song drums up imagery of a torrid landscape, but it is not something to be overly fixated with as the aforementioned rockabilly sound takes hold rather than this being a straight country album. More to the point, ‘On The Great River Road’ has more in common with the country pioneers and assortment of hillbilly musicians who turned their attention to rockabilly once this genre started to take hold during the 50s. The blustery and catchy chorus of ‘Maiden Rock’ is one such example bringing to mind Marvin Rainwater, only to be given a good run for its money by the gripping rhythm of ‘The Gem From Illinois’ that shares a passion for a long-lost sweetheart. The tempo steps down a few notches during the piano ballad ‘Palmyra Lane’ that sees Chris Almoada in reflective mood and spinning out this yarn to the remaining customers propping up the bar in some remote town. There’s no let up once ‘The Falcon’ digs its talons in deep as it’s something of a wild ditty with a guitar itching to take centre stage such is its restlessness. There is a return to a more authentic country sound illustrated greatly by the truly grainy style of ‘Memphis Odyssey’, before the almost epic, by these standards, ‘Rabbits May Be Dancing’ introduces itself and then suitably followed by the galloping rhythm and occasional yodelling vocal of ‘Patch Of Green’. With much to consume here, ‘On The Great River Road’ is clearly a labour of love considering the time spent honing and crafting these songs into a cohesive unit in order to recount this great journey. Therefore, just like the artist at the centre of these songs, this is a journey that is well worth discovering and one that is deserved of much attention.