With the clamour for metal band In Flames to lead the way for a ‘mark two’ version of one of their previous, and extremely well-received albums from their longstanding supporters, latest release ‘Siren Charms’ sees no signs of adhering to such demands just yet. Top marks however, as In Flames stick to an agenda that sees them following a creative path that provides a slight digression from the heavier sounds of yore. That is not to say that In Flames has ditched their metal roots and trademark heavy riffs as there is enough here to hopefully satisfy older fans, as well as appeal to potential new fans. It’s more that the harder edges find themselves intermingling with the fresher approaches consisting of slower songs and ballad-esque numbers that are definitely to be welcomed. The alteration in sound owes some debt to the shift in working conditions that saw the band record for the first time outside of Gothenburg and set up base in Berlin at the legendary Hansa Tonstudio. With the likes of Bowie, U2 and Killing Joke having recorded at the same location, it seems plausible that In Flames were inspired by such artists, considering the more melodic touches mixed with the larger riffs and synthesisers. If it’s direct correlations you’re looking for, however, then think Avenged Sevenfold, Deftones, Sisters of Mercy and Zeromancer and you’re somewhere close to understanding In Flames progression, as depicted by the magnificent trio of ‘In Plain View’, ‘Paralyzed’ and ‘Through Oblivion’. ‘Siren Charms’ might not appeal to the previously mentioned longstanding legions of supporters, but it is an album to be commended for its daring to go against the grain and drum up a different beat with almost radio friendly propositions (‘Dead Eyes’) mixing with harsher elements (‘When The World Explodes’) which takes some doing if your name is In Flames.