With a growing trend for a pop country crossover, latest addition to this style is Siri Vølstad Jensen with her debut album ‘Coming Home’. Remarkably, this first outing is a product of Norway when, in fact, its contents sound a far closer relation to the country sounds emanating from Music Row in Nashville. Full marks, however, for the convincing sounds on display, which has been a lengthy process in the making and one which actually took in the sights and sounds of Nashville for a period before making a return home. With the trade secret therefore out in the open, the end product is one that is skilfully handled and once more utterly persuasive in the vocal department as ‘Burn Baby Burn’ blends a bit of the traditional country via Dolly Parton with its modern sisters the Dixie Chicks. Title song, ‘Coming Home’ leans on a more conventional country style, with acoustic guitar and strings and Siri Vølstad Jensen sounding beyond her tender years with the only giveaway being a slight vulnerability to the vocal during the chorus, that actually works in her favour due to the sincerity of the emotions expressed. This openness given by Siri Vølstad Jensen extends to ‘Whatever It Was’ and, in the process, proves to be one of the strong points of the album that once more calls for a bit of old-style country while retaining one foot in the present. The pop tendencies are more present in the up-tempo ‘Let Love’ but still not quite to the extent of Taylor Swift’s ‘Red’, for example, due to the heavier weighting of stringed instrumentation wonderfully paraded by the ballad ‘Almost You’. ‘Coming Home’ is the first landmark in the musical career of Siri Vølstad Jensen, and it is one that will prove to be a major step for this country songstress from Norway such is its overall quality.