Deriving from Dublin, Ireland, Ian Nyquist is an artist with a background in field recording and sound art. By setting his experience to date of compiled field recordings to his first physical release on Eilean Records, the album ‘Cuan’ was recorded over the period of a year between November 2017 – November 2018. The title for the album translates as Bay or Harbour, with the field recordings picking up on Nyquist’s sound messages regarding ‘home’, which its press bio’ refers to the album as it “pays homage to places and people of familiarity.” This is true as the sounds portrayed here often linger for some time as if to pick up and reflect every possible detail that sonically represents the people and places mentioned earlier. A good starting point to experience such descriptions is the shimmering sounds of light during ‘Obelisk’, which reflect to a greater extent nearing its conclusion where a sense of wonder is often felt. Such feelings blossom further with the near-orchestral approach of ‘Bring Her Home’. There are moments containing darker tones such as the loneliness given by ‘After The Disappearance’, which is dominated by piano and genuinely captures one’s attention and followed by murkier tones of ‘Bank na Cise’ and barely audible ‘Peninsualas’. Ian Nyquist has produced a captivating array of sounds that reflect familiar objects and surroundings of his environment that are known to him. However, this does not mean that ‘Cuan’ is an album that sounds introverted and intended for a singular audience, because it’s an album that will have no problem translating to a wider audience where people can apply their own experiences to these tracks and feel a sense of their own familiarity.