The Civil Wars return with an interesting choice of covers in the format of an EP. The decision to include Portishead’s ‘Sour Times’ is testament to the Bristol band’s creative talents but also lasting appeal considering their debut album, which ‘Sour Times’ is lifted from, is now in its twentieth year. The Civil Wars certainly do the song justice by means of guitars rather than electronica, naturally, but use of the word ‘haunting’ is problematic to describe their rendition of this trip-hop number because such a description was reserved for the original composition. Elliot Smith’s ‘Between The Bars’ seems the most obvious choice of cover due to the lingering vulnerability held by both parties when it comes to their music. The Civil Wars turn such similarities to their advantage by not only paying homage to the original, but issue it with new life by creating a roomier version and therefore providing a fresh perspective as all good cover versions should. Surprise choice between the covers is an interpretation of Michael Jackson’s ‘Billie Jean’ that is handled with the bare minimum of acoustic guitar and the vocals of Joy Williams and John Paul White, who claim the song as their own such is the difference between the two versions. ‘Between The Bars’ might be a stopgap depending on The Civil Wars current hiatus, but nonetheless it’s a very engaging one that shows them in a slightly different light.