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Released 3 February


Paranoid (Single)


Waterfall / BMG

A new project under the guise of Cal for Norwegian singer-songwriter Frida Amundsen who adopts a strong pop stance for current single ‘Paranoid’. With this latest release having been co-written with music maestro Eddy Atlantis in London, Amundsen (aka Cal) views this experience as a chance to show her established following that there is another side to her music and personality. As mentioned, the change in direction is one that adopts more of a commercial pop focus rather than relying on Amundsen’s acoustic background, but don’t let that dissuade you as this is pop music written with intelligence as it reveals the complexities that some relationships can suffer, with Cal giving a convincing performance as the victim at the centre of the ‘paranoia’ in focus. A solid start with this first single for Cal via ‘Paranoid’ that paves the way for a soon-to-be released EP, which should provide even greater evidence of the creative vision for this latest project from Frida Amundsen.

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Other Side of Town (Single)

Gorilla Cult


Every now and again an artist sends word to Famous Last Words (FLW) of their latest creative endeavour which, more times than not, often results in a positive experience than a negative one. With not too much information to go on, this time out it’s the turn of, and in their words, “experimental indie band” Gorilla Cult and their current single ‘Other Side of Town’. By relaying what sounds like various debaucheries occurring on the other side of town and where life certainly becomes blurred in terms of what is defined as reality, Gorilla Cult weave a rhythm that is jittery and melodic and punctuated with electronics that are one moment distorted and the next shimmering brightly. Apparently there is more to come in 2017 from this relatively unknown indie band with ‘Other Side of Town’ being the first component of a suggested greater project to come. Watch this space.

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Doomsday EP

Reptilians From Andromeda

Prof Sny Records

A timely release for Istanbul’s Reptilians From Andromeda (RFA) considering the current turn of events in the political spheres of the US and UK, not to mention pretty much everywhere else in the world. The ‘Doomsday’ in question, packaged as track one of four from RFA’s latest EP, is more concerned with informing anyone willing to pay attention that all is not as it may seem, and that maybe you really shouldn’t believe the rhetoric televised almost on a daily basis at present. Such persuasion swings in favour of this garage-punk band from Istanbul as lead vocalist Aybike Çelik Özbey repeatedly cries, “Don’t believe the doomsday” to a fuzzy looped rhythm where the bass is raw and heavy and guitars glide effortlessly. If all this sounds a bit like A Place To Bury Strangers, for example, and nothing wrong with that of course, then following track, ‘Love Bait’, loses any such comparisons with a more straight garage rock and grunge feel that retains a very grubby appearance and all the more charming for doing so. With the EP being issued as a 7″ vinyl via Prof Sny Records, all recording and mixing duties were handled by the Reptilians themselves, only for Fran Ashcroft, formerly of power pop punk band The Monos! to apply mastering at Happy Beat studios (UK). Based on the evidence presented here, there is every reason to believe that RFA will be making further inroads to a wider audience soon, because ‘Doomsday’ EP never remains stagnant in terms of its approach and ideas, therefore giving the impression that there’s greater things to come from this quartet. In the meantime, RFA is definitely pushing all the right buttons as this is an engaging and fascinating ride that is worthy of your attention.

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The Inception EP


Inverse Records

Stemming from the city of Jaén in Spain where no doubt the climate is far warmer and the general mood of a more upbeat disposition, the newly formed trio Oddhums is certainly at odds (no pun intended) with the location from which they originate. By coming together only last year, Oddhums and their four-track EP ‘The Inception’ diverts immediately from anything that could be suggested as welcoming with their sound entrenched in a shifting combination of stoner-rock, sludge, post-rock, grunge and elements of ambient music. With the EP being recorded and mastered by Kike Gutiérrez at Black Bunker Records Studios, and artwork by Procesonegro Art Studios, Oddhums open their account in an atmospheric haze of guitars that erupts abruptly where sludge and stoner-rock collide and stretch their sounds to incorporate flashes of shoegaze during the opening track ‘Dimgaze’. From there the atmosphere of this EP becomes somewhat claustrophobic during ‘Big Brave’ where vocals are coming from the depths only to be lifted somewhat in clarity with the far more robust ‘Wounds’. Oddhums provide a compelling interpretation of paranoia as ‘Under Siege’ closes ‘The Inception’ EP in magnificent fashion and sets out this three-piece band as one to watch in 2017.

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Eilean: [45]

Various Artists

Eilean Records

Offering its by now familiar array of artists collected from around the globe with each and every artist applying their interpretation of, as well as capturing the sounds that can be heard in the smaller details of everyday living, Eilean Records presents its latest compilation, ‘Eilean: [45]’. Limited to 150 copies and housed in a metal box complete with ruby red woodcut design, the packaging alone is enough to tempt any prospective buyer. The inner contents, however, certainly perform their duties by offering some new and exclusive pieces of sounds and featuring sixteen tracks with, it should be noted in order to pay proper respect here, all of the following artists: Autistici, Chris Dooks, Daniel K. Böhm, Darren McClure, E & I, Florian Von Ameln, Jason van Wyk, Moss Covered Technology, Offthesky, øjeRum, Omrr, Phi Bui, Porya Hatami, Saenïnvey, Speck, Sustainer, Uwe Zahn and Wil Bolton. For closer inspection though, the crystal-clear sounds of øjeRum’s ‘Needle-Shaped’; the fascinating insight of the journey unfolding during Daniel K. Böhm’s ‘All Over Gently’; the ethereal sounds of ‘Solitude By Vision’ performed by Offthesky, to capturing sounds of nature via ‘New Encounters’ by the equally engaging namesake Florian Von Ameln are good enough starting points and a glimpse of the various canvasses of sounds on offer via ‘Eilean: [45]’ to capture the imagination of any listener.



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Daylight is just breaking once Ukrainian quartet, KROBAK, get underway with their latest long player ‘Nightbound’. At least that’s the idea given by opening track ‘Stringer Bell’ with its steady progression of shimmering guitars and subtle hints of violins that provides a visual impression of sunlight gradually finding its way through the cracks and crevices of a desolate location somewhere in the wilderness. After such an impressive introduction, the rest of ‘Nightbound’ follows in similar fashion as KROBAK draw on their experience and create a richer post-rock sound than what has gone before, by way of a few new and additional influences such as Swans, King Crimson and The Mars Volta as well as picking up on previous references Godspeed You! Black Emperor, Mono and Yndi Halda. No matter the reference points as KROBAK serve up a truly engaging sonic adventure via a total of four tracks that grow from minimal sounding structures to fully fledged workouts such as ‘No Pressure, Choice Is Yours’ and ‘Marching For The Freedom We Have Lost’. KROBAK’s new offering ‘Nightbound’ is an album that you should get to know on a very intimate level as you will be duly rewarded for your time.

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Better Days

Missiles of October

POGO Records

Second album for Missiles of October, who continue with their combined sounds of punk, sludge and stoner rock to serve up a real noise fest with ten new songs making up to one whole titled ‘Better Days’. With the band comprising of members Bob Seytor, Lionel Beyet and Mathias Salas, this trio creates a mighty racket which first track, ‘State of Crisis’, immediately suggests with its pummeling sound of guitars and drums and rasping vocal. Following on, ‘No Brain No Headache’ is dense in sound to begin with, before kicking out, all limbs flailing, during its chorus (of sorts). However, where this song differs is in the vocals, giving the impression of wanting the song’s message to be heard due to far more clarity than what Missiles of October has perhaps dared to give before. The disillusionment with life continues during ‘Satisfaction In Nothing’ that once more contains more clarity in the vocal department, and not without a whiff of Fugazi about it as well. There’s no doubt that many truths regarding everyday mundanity is being communicated here, with song titles providing their own clues (‘Looser Man’, ‘Two Feet In Sludge’, ‘Better Days’, etc.), in addition to the battered and bruised rawness of the music as evidenced by tracks ‘Everyday’ and ‘Problems’. With a limited run of ‘Better Days’ to be issued early next year on yellow vinyl, Missiles of October’s second album can be purchased on all digital formats right now.

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Simple Minds

Caroline International

A surprising addition to the Simple Minds catalogue considering their early electronic roots have been making waves during the past few years, but acoustic it is with pared back versions of a number of their hit records as well as a couple of lesser known songs. With lead singer Jim Kerr declaring that “…we wanted to create a Simple Minds party album, not a traditional, introspective acoustic album – more something that people will play during goods times,” such a description rings true when hearing the still uplifting ‘Alive and Kicking’ that retains its sparkle via fresh sounding instrumentation and joint vocals from Sara Brown. With earlier material such as the excellent reworking of ‘The American’ and softer version of ‘Glittering Prize’ really impressing, there are one or two songs that fall short here; most notably ‘Promised You A Miracle’ even with the talented KT Tunstall joining ranks, this particular rendition sounds jumbled in its execution despite its brave attempts to make this version sound like a completely new song. There’s a darker shade to ‘See The Lights’ with Charlie Burchill’s guitar adding subtle touches throughout and really improving on the original. By finishing with a cover of Richard Hawley’s ‘Long Black Train’, Simple Minds continue their recent tradition of adding new touches to other musician’s songs, but also reveal an impeccable taste when it comes to their own record collections. Not to be viewed as a replacement for older versions of their hit songs, ‘Acoustic’ is, for the majority of its contents, a pleasing ride that will appeal to older fans as well as opening the door to new followers.

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Not Knowing (Single)

Matchstick Men

Holier Than Thou Records

Gearing up for a brand new album release is Merseyside quartet Matchstickmen. With new single ‘Not Knowing’ being the first introduction to the forthcoming album release, it’s certainly a strong indication of the quality that fans of the band can expect at some point next year. Beginning with lead vocalist Lewis Wright’s crooning vocal and the acoustic strum of Iain Forsyth’s guitar, ‘Not Knowing’ builds slowly before the rest of the band, consisting of Peter Donnelly (guitar) and Dave Hornby (drums), wade in and really add muscle to the personal tale that is steadily unfurling. While “It’s better not knowing” may suit some when a relationship begins to turn sour, the same cannot be said of Matchstickmen’s latest effort as it is a song that is worth getting to know on a very close level.

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Beefhart High School Dropout

the Harvey Steel show

Safe & Sound Recordings

Transmitting their creative thoughts from the distant heights of Jupiter, the Harvey Steel show continue doing what they do best, and that’s following their own musical journey judging by the contents of latest EP ‘Beefheart High School Dropout’. Long may this continue because the fluidity of the creative processes of the Harvey Steel show continues to weave and work its magic, only this time around the band sound more a resident of planet Earth than the aforementioned distant neighbour. It’s the opening track that gives way to such a feeling with a surprising introduction via an instrumental that sounds as if it’s coming from a lonely bedsit while it works out its destination via Thomas Bergsten’s solitary guitar, and before the rest of the band decide to join in and add their input. Track two, ‘Hunting Shadows’, sees a gradual increase in temperature and sound where guitars, organ, drums and vocals fade in and out as well as crossing paths across a scorched earth, before building to an immense crescendo that is equally The Doors as it is Captain Beefheart. It’s a song that will go down as one of the band’s highlights, not to mention in a live setting, when the history books are written. Ending on another highpoint is ‘Running From The Law’, which is a thing of genuine beauty considering its association with the subject of murder, where instruments sound delicate and fragile and create genuine awe in the manner that Explosions In the Sky has made their own. No guns, No hatred, No war, only love for the Harvey Steel show. RESPECT!

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False Flag (Single)

Terrible Love

Big Scary Monsters

After releasing their debut EP ‘Change Nothing’ back in January this year, Terrible Love has been hard at it drumming up a new record that was added as part of a recent tour with fellow contemporaries The Fall of Troy and Tiny Moving Parts. The track itself falls under the name ‘False Flag’ and was recorded at The Ranch with Lewis Johns during the summer. With lyrics pertaining to the recent EU referendum and overall disillusionment with the final result , ‘False Flag’ is a fully charged assault of guitars that are equally raw as they are melodic and accompanied by gutsy vocals that came together during writing sessions for the follow-up to ‘Change Nothing’. With the single being issued as a limited edition flexi disc, time is of the essence if you want to follow a good cause and get your hands on this ‘False Flag’.

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123456 EP

The Tigerlilies

Working Brilliantly

With artwork more suited to London’s Tate Modern gallery than a post-punk album, the music served up by longstanding four-piece The Tigerlilies has found a welcome home here at Famous Last Words. By piecing together a six-track EP, the decision to trim the edges and rein in the record’s playing time was a wise choice by The Tigerlilies as the condensed playlist creates a more immediate impact, therefore leaving the songs to reside fresh in the memory bank. Such song writing is largely down to the band’s knack of creating a post-punk sound that is full of melody but one that has coarse edges that suggests a definite linkage to 90s-era grunge, which has not gone unnoticed from other musicians ranging from Violent Femmes, Joan Jett, Paul Weller, Guided By Voices and Superchunk. Opener ‘Easy As It Seems’ has a sense of familiarity about it with an 80’s post-punk sound giving the impression that one has visited this place before (A positive chaps!) despite being The Tigerlilies own composition. The song itself races along on a tight rhythm with vocalist Pat Hennessy stripping his emotions bare and it’s a fine start. Links to the past continue with the mellow sounding tribute to David Bowie entitled ‘Bowie’, and then followed by ‘Green Eyes’ that has a touch of Blondie considering its edgy and melodic rhythm. ‘Darlin’ opens with a honey-dripping guitar line and tender vocal that radiates warmth in the direction of its nearest and dearest. It’s a love song, pure and simple, and it works wonders. There is nothing to fear here, least of all the No. 7, as The Tigerlilies ‘123456’ requires a fast reeling action to bring it into your life and as close to your heart as humanly possible because you will not be disappointed.

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