After what amounted to six years in hibernation, Norwegian trio, Cloroform, finally reared their collective heads with the first signs of their comeback with the single ‘Beach Buns’. The truth is that all three band members – comprising of John Erik Kaada, Børge Fjordheim and Øyvind Storesund – had been occupied with other activities involving solo projects, film compositions and moonlighting for other artists such as Kaisers Orchestra, Morten Abel and Sivert Høyem. Whilst the cheekily named and out-of-season single, ‘Beach Buns’ delivered a classic stoner riff, the song also revealed Cloroform’s split personality where eccentricity often performs a vital role in their creative output. Such unpredictability is rife throughout ‘Grrr’ where sample-heavy tracks such as ‘Lakris’ borrow from 70s and 80s pop and soul music, and then swing through manic electro lust numbers (‘Squeeze’), only to slow the pace via the atmospheric instrumental, ‘Pelican Sunrise’. There are a handful of bands that one could draw comparisons with when it comes to Cloroform, but that is mainly down to the unconventional nature of their song writing rather than sounding directly like any of these artists. With a reliance on cutting and pasting their ideas and sounds together from previous recorded works, Cloroform has turned this into an art form where you may be convinced you just heard a reference to U2’s ‘Ultra Violet (Light My Way)’ during the Norwegian’s ‘Walk, Don’t Walk’, but everything is just so skewered and then patched up that it’s difficult to really know for sure. Either way ‘Grrr’ is a clear reminder that music is a medium that deserves to be experimented with, and this is something Cloroform revel in, as well as injecting their songs with a strong sense of humour.