Having undergone one or two line-up changes since debut album ‘ Rev Up, Burn Out’, the change in personnel has definitely not subdued The Cheaterslicks momentum. If anything, new album ‘Rock ‘n’ Roll Graveyard’ is a considerable leap forward in the department labelled ‘variation’ compared to its predecessor that was more foot to the floor rockabilly and therefore living up to its moniker.
Despite opening song ‘Bayou Boogie’ suggesting a repeat of their previous winning formula, the band opt for more challenging terrain by letting in the blues and adding a country twang or two. Once ‘Don’t Ya Know’ swoops in on a lovely vocal drawl and claims your heart within a matter of seconds, it is clear The Cheaterslicks not only have a major hit single on their hands but also the creative department is under exploration. ‘Betty Page (Let’s Talk About Love)’ adds further weight to such ideas due to its playful taunts rubbing up against the serious declarations given by lead vocalist Paul Newman as it is played to a slight country beat, which is stretched further with the unreciprocated love of ‘Tears Heartaches & You’. The western feel of ‘Desert Wind’ completes this (almost) trilogy of country-inspired songs, bearing in mind the raucous ‘Nothing To Lose’ sandwiched in between, and reveals Newman’s depth of vocal delivery (head to the magnificent ‘Blonde Blue Eyed Beauty’ for further evidence).
‘Bad Bad Girl’ sees The Cheaterslicks comparing notes over a few rounds of drinks with label mates The Wolftones as it’s reminiscent of the latter’s blues-inspired numbers with its strutting beat and tight harmonica.
The rumbling and shaking instrumental ‘Gasolina’ unveils further facets to this album, which is nicely balanced with the restrained rhythm of ‘Honey Bee’, pleading for its ‘baby’ to come on home, only to be usurped by the outlaw quality of ‘Forgotten Places’.
Clocking in at a sizable 18 tracks, ‘Rock ‘n’ Roll Graveyard’ will severely test the patience of those more attuned to the present culture of downloads whereby a handful of songs more than suffice. As it stands, The Cheaterslicks seem to be hitting a rich vein of form, and one that is not afraid to experiment, as the majority of ‘Rock ‘n’ Roll Graveyard’ reveals a winning formula to rival any in the modern rockin’ stakes.